Quad Artera Pre

First available in 1982 on the classic QUAD 34 preamplifier, the Tilt control was created by QUAD founder Peter Walker as an audiophile-quality answer to tone adjustment. He believed that in the real world, the ability to adjust tonal balance on an amplifier was useful to cater for different rooms and recordings, but that typical tone and EQ controls were clumsy and inadequate in their effect.

While conventional tone controls adjust bass or treble individually, the Tilt control adjusts both ends of the frequency spectrum together – either attenuating the bass and lifting the treble, or lifting the bass and attenuating the treble, in steps of 1dB. In effect, it rotates – or tilts – the audible frequency range on a 700Hz axis, adjusting the overall balance of the sound to make it ‘warmer’ or ‘cooler’ without affecting the apparent volume or ‘colouring’ the sound.

The Tilt control is unique to QUAD and is a subtle, precise and consistent way to adjust sound to compensate for different recordings and the acoustic anomalies of different rooms. Though much acclaimed when it was introduced and still admired to this day, it hasn’t featured on a new QUAD product for a decade – the Artera Pre is the perfect opportunity for its return.

The new Artera preamp adds further analogue bass filters to the Tilt function for additional sound tailoring, which may be useful for a variety of reasons. For example, optional bass lift (of +4.5dB around 60Hz) may be used to give smaller speakers a little more extension, while bass cut (-4.5dB shelf response) can help to deal with unwanted room resonances. These filters are engineered for precise and refined adjustment, and their effect is much more sophisticated than typical bass controls.

The Tilt and bass filters can be combined to create individual EQ profiles to assign to each source input. In this way, each input can be configured to suit the connected component, be it a turntable, a CD player, a tuner, a DAC or streamer, or any other playback device with an analogue output. Individual adjustment may also be made in real time, to suit whichever recording is being played.

Classic QUAD– redesigned for the modern age

While the inclusion of these facilities echoes the classic QUAD 34 preamp, the Artera Pre is otherwise a very different beast both inside and out. The QUAD 34 is known for its ‘velvety’ tone, in line with the times when it launched but falling a little short of the steadfast transparency and neutrality required of the best audiophile preamplifiers today.

Vinyl lovers and headphone users are well catered for with dedicated, high-quality circuitry. The Artera Pre’s low-noise, Class A phono stage is configurable for both MM and MC cartridges, while an integrated headphone amplifier features a discrete, Class A output stage with low output impedance to drive even the toughest of loads.

Four stereo RCA inputs are provided – three line-level and one phono – plus one balanced XLR. All inputs can run in direct mode if preferred, bypassing all other circuitry to provide the shortest possible signal path from input to output. Unlike many preamps with balanced inputs, the Artera Pre’s four-channel volume control enables the audio signal to remain fully balanced throughout.

The gain (sensitivity) of each input can be controlled in 0.5dB steps between -8dB and +8dB, enabling users to precisely match levels between different sources. To add further flexibility, one of the line-level RCA inputs can be configured in AV bypass mode, enabling it to be used with an external AV processor.
Preamp outputs are provided in both balanced XLR and single-ended RCA flavours, together with a fixed-level RCA output. A pair of 12v trigger outputs is also included, to switch connected equipment on/off in line with the preamp.